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Thursday, 9 May 2013

Film Review: Django Unchained

Posted on 17:06 by john mickal
"I like the way you die, boy." - Jamie Foxx

With western influences seeping into so many Quentin Tarantino films (such as Kill Bill and Inglourious Basterds), an actual western film by Tarantino is a dream come true. Styles and sensibilities align in a sublime manner, resulting in what must be one of the most unique and refreshingly entertaining films in the genre.

Django Unchained has everything that makes a Tarantino so great: style, sharp dialogue, an attentive production, poignant violence, unpredictable plotting, and vengeful characters we can root for. The film has several major shooutouts and duels, which are quite thrilling, and extremely bloody. The violence here is on the same level as a Paul Verhoeven film, for it is explosively bloody and pulpy, and it never shies away from showing the painful consequences of such violence. There are also a few brutal scenes that can be pretty hard to watch. When the bullets aren't flying, however, the film maintains a lot of interest with its purposeful dialogue and pacing, and with its plot building. I feel the film slowed down and lost some of its vibe quite a bit in the middle, but most everything else is fantastically entertaining.

The plot is what makes the film work, more than the action. It's somewhat divided into several episodes of sorts, but they all build up a central revenge-driven conflict, and it all reaches a satisfying climax. The plot twists and turns in very wild and interesting directions, and always with vigilant attention to the characters. Django himself is a character we can't help but to root for, while Dr. Schultz is a character too interesting to dismiss. Most everybody else are bad guys we love to hate. Beneath nearly every scene is a poignant undercurrent of racism, a theme which drives all of the characters and the story. Do be warned that such themes have not sat well with many audience members, especially with the film's language.

As expected, this film has a ton of style. You can certainly expect quality photography and sharp editing. Acting is very good: Jamie Foxx does his best to make the title character iconic, while Christoph Waltz and Leo DiCaprio both liven things up a lot and try to steal each scene. Samuel L. Jackson is as grumpy as ever, and it was a joy to watch Kerry Washington. Writing is superb; Tarantino continues to show incredible skill as wielding dialogue and language of given eras and cultures for entertaining effect. This production has good-looking sets, props, and costumes, but I did feel that a few things looked a little too modern or out-of-place in a western. As with most of his other films, Tarantino manipulates music in the film impeccably.

The violence and racist issues have caused some controversy, but Django Unchained is a brilliant marriage of Tarantino's beloved style and Tarantino's beloved genre. Westerns aren't even my thing, but D.U. is exciting enough and has enough style and substance to make me call it a favorite.

4.5/5 (Entertainment: Good | Story: Very Good | Film: Very Good)
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Posted in action, Django Unchained, drama, film review, movie review, revenge, western | No comments

Tuesday, 7 May 2013

Film Review: Star Wars Episode VI: Return of the Jedi

Posted on 05:00 by john mickal
"I'll never turn to the Dark Side. You've failed, your highness. I am a Jedi, like my father before me." - Mark Hamill

Of all the Star Wars films, this one was my favorite for the longest time.  Critical viewers tend to admonish this film for showing an army of cutesy furry Ewoks turning the tide of the last battle.  But I’ve always enjoyed this film for its subplot featuring Jabba the Hutt, the cool speeder-bike chase, its epic space battle over Endor (which comes very close to being my favorite space battle of all films, second maybe only to the battle of Coruscant in Episode III), and most importantly, for showing the final confrontation between Darth Vader and Luke Skywalker. All of the major conflicts are resolved in this film once and for all, and regardless of how unlikely it is for the Ewoks to overcome the Empire, I find the final fight between Luke and Vader to be very invoking, and the final space battle to be very awesome.

The story is quite straightforward, offering just a little more insight on the characters and the previous films’ loose ends, so as to answer any questions the audience may still have. It suffers just a little drag between the Jabba the Hutt scenes and the Endor scenes, but otherwise, the pacing is quite high. As it is with any major film trilogy, Return of the Jedi offers an excellent finale with excellent closure.

The film is competently-made, with decent photography and editing. I still enjoy the actors’ performances; Mark Hamill is probably at his most earnest here, while Harrison Ford, Carrie Fisher, Billy Dee Williams, and everybody else reprises their roles well. Writing is not bad. Production value features good sets, props, costumes, and special effects. Music is good.

5/5 (Entertainment:  Perfect | Story:  Perfect | Film:  Very Good)

This film appears on my Top 100 Favorite Films list at #35.
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Posted in action, adventure, film review, movie review, Return of the Jedi, sci-fi, science fiction, Star Wars, war | No comments

Monday, 6 May 2013

Film Review: Star Wars Episode V: The Empire Strikes Back

Posted on 17:00 by john mickal
"Do...or do not.  There is no try." - Frank Oz

With the stage set in A New Hope, and with a cast of fresh likable characters in a vast galaxy, The Empire Strikes Back provides a follow-up that many consider to be the best Star Wars film in the franchise. The film definitely pumps up the stakes as the Rebels are driven away in a massive battle, before the characters become hunted, and ultimately entangled in a web of treachery. This film will probably always be memorable for its big reveal towards the end though; an epic twist of fate that undoubtedly surprised everybody back in 1981. Overall, this film is darker than its predecessor, much more serious than any of the other films, and has a certain theatrical flair that could supersede every other film in the series.

The film takes itself more seriously than any of the other films in the series, which will be most appealing to most audiences.  Personally, I favor A New Hope and Return of the Jedi more for their adventurism.  However, the story is decent. Characters remain as strong as ever, with a nice bit of added romance and plenty of added background to keep them fresh and lively. The plot structure is decent, and it is ultimately interesting to see the big plot the Imperials develop to trap the main characters. My only real complaint is that this is still only the middle part of the overall story arc; by the end of the movie, you can tell that the characters still have a ways to go yet.

The film is well-made, with good photography and editing. Special effects are as strong as ever. Acting and writing are still a little campy, but are mostly earnest. Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, and everybody else are quite decent, and remain true to their respective characters. Writing is not bad. Production value features lots of excellent sets, props, costumes, and special effects. Music is good.

5/5 (Entertainment:  Very Good | Story:  Very Good | Film:  Perfect)

This film appears on my Top 100 Favorite Movies list at #81.
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Posted in action, adventure, drama, Empire Strikes Back, fantasy, film review, movie review, romance, sci-fi, science fiction, Star Wars, war | No comments

Film Review: Star Wars Episode IV: A New Hope

Posted on 05:00 by john mickal
"Remember...the Force will be with you, always." - Sir Alec Guinness

In the summer of 1977, during a time when most motion pictures were all about being rough and gritty, Star Wars exploded onto the scene with its fresh take on classic adventurism and epic storytelling. The immense popularity that followed ensured that it beat the odds against a skeptical studio that never saw the viability of the franchise, and ensured its resounding success for decades. It has since become the progenitor of all modern blockbuster films.

Whether you start the series here or with the modern prequel The Phantom Menace, you’ll be immediately submerged into a unique and original universe. Great care and consideration is placed into every person, place, and thing in the series, with an exceptional level of background and detail. Entering the Star Wars universe is one of the deepest and most lively franchises, even to this day.

The story kicks off right in the middle of a big space pursuit, and maintains steadily fast pacing throughout. The original special effects have always been impressive, with loads of quality models and matte paintings that still hold up. There are a number of added CGI scenes from the ’97 update, which haven’t aged that well. But what really matters is the spirit of the movie; whether lurking around the seedy underbelly of Mos Eisley, or storming the decks of the Death Star, the movie is loaded with action and comedy, and it takes itself seriously only when it has to. The resulting thrill ride is as lighthearted as it is exciting and memorable.

Borrowing directly from Kurosawa’s The Hidden Fortress, and with some influence by classic sci-fi serials like Buck Rogers, the story for this is not terribly original, but it is a solid and fresh take on the genre, with a cast of fine characters. The biggest and most original contribution is Luke Skywalker’s journey from being a humble farm boy to being the hero of the Rebel Alliance (featuring themes that echo Lucas’ previous film American Graffiti). The film’s structuring allows for a steady introduction to all the characters and concepts, making it easily digestible and continuously iconic.

The film is competently-made, with solid photography and editing. Special effects are groundbreaking for its time. At times, I feel that the imagery with the given camera angles, lighting effects, costume and set designs, are like an evolution of THX1138, lending the film a slick futuristic appeal. Acting tends to be a bit hammy in all the Star Wars films, but are probably at their best here; Mark Hamill, Harrison Ford, Carrie Fisher, and Sir Alec Guinness bring the characters to life in a vivid and memorable way. Writing can be quite nutty, but the dialogue is memorable. All of the film’s sets, props, costumes, and special effects are swell, even if they do show their age a little. And the music is excellent; John Williams’ original score matches the movie perfectly, and is exceptional.

5/5 (Entertainment:  Perfect | Story:  Perfect | Film:  Perfect)

This is my second-favorite film of all time.
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Posted in A New Hope, action, adventure, fantasy, film review, movie review, sci-fi, science fiction, Star Wars, war | No comments

Sunday, 5 May 2013

Writing Prompt: Five Line Poem and a Page

Posted on 17:18 by john mickal
Even though I'm far away from my former writing group, they have still been active.  Maybe even more active than I've been.  Last week, their prompt was as follows:
  1. Start by composing a five-line poem, using the following structure, using a place of significance:
    1. Line one:  one word, a noun
    2. Line two:  two words, adjectives
    3. Line three:  three words, verbs
    4. Line four:  A sentence that expresses some kind of feeling
    5. Repeat line #1, the noun
      • Example:
        Chair
        Comfortable, soft
        Calling, beaconing, asking
        You are my favorite place for reading, and thinking.
        Chair
  2. The finished verse probably could stand on its own as a nice poem.  For this exercise, however, we used it as an introduction.
  3. Next, write about the place of your choosing for a page.
For this exercise, I whipped up the following:
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Mountain
Tall, rugged
Sloping, climbing, ascending
Every sight is inspiring
Mountain

There have only been a few mountains I've seen in my life, but every one has been an imposing and inspiring sight. They climb so high into the air, looming over everything else around them. They capture the clouds, altering the environments in strange ways. They capture the water, channeling it to shape rivers and lakes around them. They accumulate snow, giving them an elegant coating of white.

I’ve previously seen the Italian Alps and the Cascade Mountains, which are impressive ranges in their own right. Of all the mountains I’ve seen, however, I remember the Zugspitze the most. From the ground, it is an impressive sight, with its solid double-pronged slab of stone stretching skyward. It appeared brilliantly white against the sun. Taking a cogwheel train up its slopes, I was astonished to find the mountaintop a totally different climate. It was summer in Garmisch far below, but at the top of the Zugspitze, there was still patches of snow all around the rugged stones.
At the top of the Zugspitze is a sturdy, convenient facility for travelers to take gondolas up and down the mountains. Even outside of the skiing season, there were plenty of travelers exploring and hiking around the area. A small window served hot drinks and hot bratwursts for paying customers; incidentally, that was where I had my lunch. Even in the midst of the crowd, it was a calm and unique experience to eat a German bratwurst some nine thousand feet above sea level.

My biggest prerogative there was to take pictures. It was a clear day, with a deep blue sky and a clear view of the valleys below. I could see the modest sprawl of Garmisch and other German towns below, in addition to the Eibsee lake. With a number of birds flying around the area, I found it incredibly easy to take epic shots of the valley with birds in flight. The surrounding rocks, so jagged and angular, provided even more unique picture opportunities. A single maypole at the edge of the slope provided a few of my favorite pictures for that day. From there, I could also see the peaks of many surrounding mountains, and the cavernous valleys in between.
Later, from the ground, I would take pictures of the Zugspitze and other mountains with a fine layer of mist and clouds against a glowing sunset.
These days, in Utah, I find myself regarding a myriad of mountains in all directions. They’re all inspiring and beautiful, and I hope to take many fine photos in the near future. As it is though, my fondest memories of mountains lie in the peak of the Zugspitze. It’s the highest spot I’ve been on the Earth, and it had some of the most beautiful views I’ve seen.

More about this trip can be read here.
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    Posted in adjective, exercise, Germany, journal, mountain, noun, poetry, prompt, prose, setting, verb, writing, Zugspitze | No comments

    Film Review: Iron Man 3

    Posted on 12:30 by john mickal
    So now it comes to this. Iron Man started off beating the snot out of terrorists and confronting the Iron Monger. Then he was challenged by Whiplash, and made to face a number of personal challenges. Lastly, he helped save Earth from an otherworldly invasion, and he personally passed through a wormhole to deliver a nuke to the Chitauri mothership. Where does Iron Man stand after all this?

    The third Iron Man film pits Tony Stark against more challenges, which ultimately straddles the breaking point for the character. The man proves to be a wreck to start with - a definite far cry from the suave narcissist we saw in the beginning of the first film - but now his personal life, his body, and his mind all pay the price for all of Iron Man's burdens. In this (final?) round of heroic challenges, Iron Man confronts the Mandarin terrorists, who ultimately target him personally. In one of the biggest action scenes of the movie, Stark's home is demolished in a torrent of missiles. That's just the beginning: from then on, the film traverses across all of the US as Stark works to find answers, is made to fight more bad guys, confront bigger challenges, and ultimately thwart the enemy's endgame. By that point, the stakes are raised really high, and it builds up to a lengthy, explosive, all-out climax.

    There is definitely a ton of action and quality special effects to behold here. At the same time, the action and drama is finely-balanced with the same style of comedy and wit that's gone into the first two films. Overall, the tone, pacing, characters, and concepts of Iron Man 3 is very much consistent with the other films. All three are pretty much on the same level in terms of consistency.

    And that's a huge relief, considering that in most superhero franchises, the third films don't usually fare that well (remember X-Men: The Last Stand? Or Spiderman 3? Or Superman III?!). IM3 doesn't quite sink that low, thanks not only with its purposeful execution, but also with its strong basis in characterizations and storytelling. As indicated above, there is a lot to be said about the character and his progression across the three films. This third film effectively completes his transformation, resolves some long-standing issues, and still manages to pull out a few impressive twists.

    There are still problems, however.  Many fans have expressed their outrage over the treatment of the Mandarin's character.  I personally thought it was a brilliant, entertaining, and well-executed twist, but it'll leave many hardcore fans feeling cheated.  The level of believability with this film is also pushed to the limits, as Tony seems to hop from one Iron Man suit to another at a whim, and insanely powerful bad guys pop in and out at the story's convenience.  These stand as minor nitpicks for me personally, but they might break the film for certain viewers.

    This film is competently-made with good photography and editing. Acting is as great as ever, and the writing is generally good. This production has plenty of fine-looking sets, props, costumes, and special effects. Music is pretty cool.

    Iron Man 3
    is as satisfying of a conclusion to the Iron Man franchise as it is a satisfying summer blockbuster. I say "conclusion" because it makes these first three films feel whole and complete as they are. However, as a post-credit message asserts, Tony Stark will return. If so, he'd certainly be welcome, especially in Avengers 2, but even if an Iron Man 4 never comes, this third film does its job admirably.

    4.5/5 (Entertainment: Very Good | Story: Very Good | Film: Very Good)
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    Posted in action, comedy, drama, film review, Iron Man, Iron Man 3, marvel, movie review, robot, sci-fi, science fiction, superhero | No comments

    Saturday, 4 May 2013

    Al's Top 100 Most Favorite Asian Films Part 5

    Posted on 17:00 by john mickal
    Part 1
    Part 2
    Part 3
    Part 4

    20: High and Low (Heaven and Hell) (Tengoku to Jigoku)

    Japan
    Pretty simple set-up here: it’s the story of a rich man’s son getting kidnapped, and he’s trying so hard to pay up the ransom, even at the expense of his business. Meanwhile, the actual kidnappers are poor men struggling so hard to rise above the muck of their sleazy surroundings. Thus emerges the point of this affair: it’s a film that thoroughly explores the heights and depths of civilization. With a cool cinematic style and superb acting, the film is as thrilling as it is interesting.

    Entertainment: Very Good | Story: Very Good | Film: Perfect | Resonance: High

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    19: Ghost in the Shell (Kokaku Kidotai)

    Japan
    This movie is essential cyberpunk. In fact, The Matrix was made by the Watchowskis with the idea in mind to make a live-action Ghost in the Shell; it’s that influential. GITS is a pretty weird, slow, brooding, and confusing thing to watch, but it gets better with more viewings and more introspection. If nothing else, it is darn cool to watch Motoko and the other guys beating the snot out of bad guys with high-tech gear and cybernetic bodies. The climax includes an epic scene in which the protagonist practically destroys her body to try and take down a tank. However, it’s the story that counts: it plays out a little like Blade Runner, but there’s always a spiritual overtone that hints at deeper philosophies and themes. It’s visually awesome and invokes a lot of thought, even if the story takes some getting used to. The GITS TV series is a funner and easier thing to watch, but the movie is a deeper and more invoking experience.

    Entertainment: Good | Story: Very Good | Film: Perfect | Resonance: Very High

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    18: Memories of Murder (Salinui Chueok)

    South Korea
    Watching this film is a bit like watching Zodiac; both involve the systematic hunting of serial killers, who are ultimately never caught. Memories of Murder is a pretty dark and moody film, with its share of suspense and thrills. It even has some funny parts at times (although such comedy doesn’t really work). Above all, it’s a stylish film with interesting characters and interesting mysteries, and it’ll keep you guessing, even after the movie ends.

    Entertainment: Very Good | Story: Very Good | Film: Very Good | Resonance: Very High

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    17: Evangelion 1.11: You Are (Not) Alone (Evangerion Shin GekijƓban: Jo)

    Japan
    The 90s anime series Neon Genesis Evangelion is one of the best and most popular shows of all time, without exaggeration. In recent years, however, the series has been rebooted, as a series of films. The first Eva film pretty much covers the exact same content as the first five episodes of the original show, with just a few subtle changes. It’s still an awesome thing to behold, especially with updated animation graphics. With gargantuan angels tromping all over Tokyo3, crushing buildings and laying waste to entire armies, the mass destruction is really incredible. Above all, the emotional tension runs high, thanks to diligent attention to strong characterizations. Whether you’re a fan or not, Eva 1.11 is a strong start to a strong series.

    Entertainment: Perfect | Story: Good | Film: Very Good | Resonance:  Highest 

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    16: Evangelion 2.22: You Can (Not) Advance (Evangerion Shin GekijƓban: Ha)

    Japan
    Following Eva 1.11, this sequel suddenly veers off into strange and exciting new directions, and it is really thrilling and intense stuff. With old and new characters thrown into the mix, the tension continues to run high, and the mass destruction continues to be a chilling sight. There’s still strong attention to developing the characters, the concepts, and the environment they thrive in. By the film’s end, the stakes are driven up so high, it really looks like the world could come to an end at any moment, and it’s a very intense experience.

    Entertainment: Perfect | Story: Very Good | Film: Perfect | Resonance: Very High

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    15: Neon Genesis Evangelion: End of Evangelion (Shin seiki Evangelion GekijƓ-ban: Air/Magokoro wo, kimi ni)

    Japan
    This one has nothing to do with the last two entries; this is strictly a follow-up from the original 90s TV series. And it was necessary: the original show’s ending sucked! The last two episodes ended in such an odd place; it was basically nothing but dialogue and weird imagery, nothing but random narrative and psychobabble. Even the show’s makers were disappointed, so they released this movie.

    Make no mistake, this is the perfect ending to Neon Genesis Evangelion. Not only does it round off the characters and concepts that were left hanging in the series, but it actually presents the apocalypse just as it was always meant to happen. Other sci-fi films may have a meteor hitting the Earth or an alien invasion or something, but with Eva and all its spiritual overtones, this is as close to a realistic portrayal of the rapture as we’ll probably ever see on film. Angels descend on the Earth, devouring the Evangelion units, and ultimately melt every single human being on the planet and consolidate their souls into one giant mass. It’s a sight that’s simultaneously scary and enlightening, just as it should be. It gets really strange and surreal at times, but it’s an experience unlike any other.

    Entertainment: Perfect | Story: Very Good | Film: Good | Resonance: Highest 

    --------------------

    14: Harakiri

    Japan
    Harakiri, also known as Seppuku, is that ritual suicide that samurai may engage in if they fail their masters. This film starts off with the simple premise of a ronin walking into a feudal court to commit suicide, but as the characters exchange stories, it becomes a nested narrative that reveals the background of all the parties involved, and it turns out that things aren’t what they seem. It’s an ingenious narrative device at work here, with a compelling plot that emerges. The actual Harakiri scenes are pretty agonizing to watch, and the ultimate climax is awesomely bloody. As a story and a film, Harakiri is awesome, even if it is old.

    Entertainment: Very Good | Story: Very Good | Film: Very Good | Resonance: Very High

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    13: A Bittersweet Life (Dalkomhan Insaeng)

    South Korea
    There are not many words spoken in this film, but it’s something that really holds you and makes its plot clear with a strong basis in the characters and their interactions. The film focuses on a single man, lonely, immaculate, and he’s good at what he does. Faced with betrayal and peril, he is forced to fight for his life, and ultimately vengeance, and what follows is a bloody and hard-edged rampage. As the title suggests, it’s a bittersweet experience to watch such a character rise and fall. It’s made all the more bittersweet with its poetic composition and perfect performances.

    Entertainment: Very Good | Story: Very Good | Film: Very Good | Resonance: Very High

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    12: I Saw the Devil (Akmareul Boatda)

    South Korea
    This wicked film pits a killer against a killer in a constant and vicious game of cat-and-mouse. There aren’t heroes to root for in this film, as there are two villains, one driven by evil and the other by vengeance. What makes it watchable is the suspense in seeing how far each character will go, and how wicked they become.

    Entertainment: Very Good | Story: Very Good | Film: Very Good | Resonance: Very High

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    11: Ip Man (Yip Man)

    China
    Ip Man was the grandmaster who trained the legendary Bruce Lee. In the first semi-autobiographical film, the Ip Man’s origins are traced back to the WWII era. The film follows the man’s dignified position prior to the war, before showing the compelling struggle he staged to contend with the Japanese oppressors who invaded his town and took away his wealth. It’s very compelling to watch the Ip Man stand up to oppression and lead a resistance. But of course, it’s the fighting that takes the spotlight, and it is really awesome stuff. In one stunning scene, the Ip Man beats down ten men in a single fight. With a top-notch production value, and an iconic performance from Donnie Yen, Ip Man has become one of my favorite martial arts movies of all time.

    Entertainment: Perfect | Story: Very Good | Film: Very Good | Resonance: High

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    10: Spirited Away (Sen to Chihiro no Kamikakushi)

    Japan
    Once again, Hayao Miyazaki delivers something so imaginative and cute that it’s hard to turn away. In this case, he pits a little girl against ghosts, witches, and funny little critters. As charming as these encounters are, some of the film’s funniest and most endearing moments are in watching the main character learning her way around the bathhouse and earning the trust of everyone around her. Such pure-hearted morality not only liberates the characters in the end, but also provides a strong moral message that kids and adults could learn from.

    Entertainment: Very Good | Story: Very Good | Film: Perfect | Resonance: Very High

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    09: Hero (Ying Xiong)

    China
    While many wuxia films shoot for a certain elegance in their shooting and their fight scene choreography, Hero still contains some of the most beautiful fight scenes I’ve ever seen. Characters float freely in the air, gliding smoothly across crystal-clear lakes, or across fields of leaves. Even in the desolate deserts, the characters float around with long red robes and knock away entire waves of arrows from the sky. As cool as these scenes are, the film still maintains a steady focus on its story, which offers an intriguing nested narrative somewhat inspired by Rashomon. The film strikes a strong emotional tone at times, giving the fantastic visuals even more weight. With distinctive color schemes and earnest acting, Hero ranks as my favorite wuxia film.

    Entertainment: Perfect | Story: Good | Film: Perfect | Resonance: Very High

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    08: Laputa: Castle in the Sky (Tenku no Shiro Rapyuta)

    Japan
    This other Miyazaki film still has plenty of cuteness and charm to it, but also heaps on a ton more action, thrills, and adventure. It’s a load of fun to watch these fleets of airships blasting each other away in the skies. The chases are staged with a suspenseful and comedic edge. Above all, the film explores a fantastic world with a fully fleshed-out mythology, dealing with awesome lost cities, extinct civilizations, and powerful ancient robots. How cool is that?

    Entertainment: Perfect | Story: Very Good | Film: Very Good | Resonance: Very High

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    07: The Ninja Scroll (Jûbê NinpûchÓ)

    Japan
    In Japanese mythology, YagyÅ« JÅ«bei Mitsuyoshi was an unparalleled ninja warrior (with only one eye, nonetheless). So little is known about the man, it leaves the doors wide open for a wealth of rich legends surrounding this figure. In this anime film, Jubei Kibagami, inspired by Jubei Yagyu, appears as a total badass, slicing and dicing bad guys and demons at every corner (eight demons, to be exact: the Eight Devils of Kimon, who are all really weird and distinctive baddies). This film holds nothing back, and actually has a pretty wicked reputation for its relentless bloodshed and scary sexuality. The first twenty minutes are particularly gnarly. At its core though, the film gives us lovable main characters, bad guys we love to hate, all kinds of pulpy action, and a decent mystery story to give the constant fighting some structure. This film is a major gateway drug for anime fans wanting to get into the more hardcore adult-rated features, and it remains one of the most mature features I’ve seen.

    Entertainment: Perfect | Story: Very Good | Film: Perfect | Resonance: Very High

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    06: City of Life and Death (Nanjing! Nanjing!)

    China
    Most of us may be familiar with the atrocities of Germany during WWII, but how many of us are aware of the atrocities of Japan? In December of 1937, the Japanese captured the city of Nanking; thousands were murdered relentlessly, and thousands more were raped by the invading soldiers. From eyewitness accounts and historical documents, the film City of Life and Death was composed to dramatize these tragic events, in a manner just as powerful and skillful as Schindler’s List. The film doesn’t hold back on showcasing the misery dispensed to the citizens and soldiers defending Nanking, but at the same time, the film is never distasteful about it. The film features real-looking characters, portrayed with a perfect cast, set in a very real-looking location, and shot with top-notch photography. If you haven’t seen this film, you should.

    Experience: Very Good | Story: Perfect | Film: Perfect | Resonance: Highest

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    05: Love Exposure (Ai no Mukidashi)

    Japan
    Of all the wildest and craziest movies coming out of Japan, none can be any more epic than this. Love Exposure runs for four hours. And yet, it never once feels long, or bloated, or anything; it uses every single minute of its long runtime to tell a story so strange and complex, it’s ingenious. It’s a story that somehow weaves cultism, family values, upskirt photography, kung-fu, lesbianism, perversity, and high-school romance into a tight and seamless package. The film spends a good amount of time making us care for the characters, which is probably the key component that gives method to this madness. With several different narrative strings running, you’d think this film would be hard to follow. However, the film entwines each strand so effectively, it creates a finely-produced braid of cinematic storytelling.

    Entertainment: Perfect | Story: Perfect | Film: Very Good | Resonance: Highest 

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    04: Akira

    Japan
    Widely considered one of the major progenitors of anime as we know it, Akira is a big dystopian sci-fi adventure with loads of action and loads of pulp. The film starts with a huge explosion, looking like a nuclear bomb. From then on, motorcycle gangs wreak havoc across NeoTokyo, bloody shootouts break out, characters develop psychic powers and destroy entire city blocks, and gargantuan mutations threaten to engulf all of humanity. The film is cool and exciting. The plot is really dense and full, pulsating with politics and ideas, in addition to building adequate characters. For the longest time, I considered this my favorite anime film; if nothing else, it’s near-perfect science fiction, and for many anime fans, it’s been a major gateway drug.

    Entertainment: Perfect | Story: Perfect | Film: Perfect | Resonance: Highest

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    03: Red Cliff (Chi Bi)

    China
    John Woo brings the historic battle of Red Cliff to life on the big screen. For its full-length International Cut, spread across two parts, this feature runs for five hours. And yet, it rarely drags. The film has style, a fine cast of characters, and an intriguing story that’ll keep you glued. When the action hits, it’s pretty darn cool. Some of the biggest highlights include a fantastic battle scene where all the soldiers use their shields to form a labyrinth, trapping their enemies inside. In another scene, characters use boats laden with hay to bait the enemy into firing their arrows at them; once pelted with hundreds of arrows, they sail away with more ammunition. The endgame ultimately involves calculating the wind and weather for the careful application of fire. As you can surmise, tactics play a lot into these battles; they’re thoughtful and composed really well on film. For its sublime combination of action, strategy, style, and storytelling, Red Cliff ranks as a personal favorite among historical epics.

    Entertainment: Perfect | Story: Perfect | Film: Perfect | Resonance: Highest

    --------------------

    02: NausicaƤ of the Valley of the Wind (Kaze no Tani no Naushika)

    Japan
    Hayao Miyazaki’s epic sci-fi/fantasy film from 1984 comes pretty close to being my favorite anime film; between this and Akira, I can’t tell which one I like better. For all intents and purposes, I pushed NausicaƤ ahead, because it has a lot of heart that Akira doesn’t have (if anything, Akira can be rather hateful, as characters scream each others' names incessantly and try to rip each other apart). With NausicaƤ, Miyazaki keeps a firm focus on key themes of warfare and the environment, providing a dire warning about the human race if we keep acting senselessly about things. The character NausicaƤ represents a certain sensibility, and one can’t help but to relate to her as she reacts to everybody’s senseless actions and uses all her skills to try and quell the hatred all around her. This incredible story occurs in a fantastic world overrun with toxic jungles, mutant bugs, and steampunk kingdoms in a distant future. It’s a sobering and bleak portrayal at times, but with enough emotion and heart to make it universally appealing.

    Entertainment: Perfect | Story: Perfect | Film: Perfect | Resonance: Highest

    --------------------

    01: Seven Samurai (Shichinin no Samurai)

    Japan
    The story is so simple; chances are that you’ve seen it done before. And yet, Akira Kurosawa makes the most of this timeless plot, going so far as to stretching the film out for nearly four hours to tell it. It’s the simple tale of a village being exploited by bandits, and the villagers go on to hire samurai to protect themselves. The film takes its time to assemble the seven samurai, each one a unique character with their own strengths and weaknesses. When the action hits, it’s pretty straightforward, but still well-executed and well-shot, with a strong basis in tactics and realism. With loads of swordfights and battles, there is definitely action to be had.
    Even though this story is pretty simple and straightforward, it’s a fundamental set-up that could apply to any other era in history, such as the French Revolution, the American Revolution, resistance fighters during WWII; any instance where a population rose up against tyranny. What makes Seven Samurai so unique is that the samurai themselves are a social class all of their own, with their own set of rules and codes. The film dishes out some fascinating drama as the samurai clash with the peasants they’re sworn to protect; Toshiro Mifune’s speech in the middle of the film is a compelling testimony to the social issues at play beneath the story’s deceptively-simple surface.
    Kurosawa framed and composed this film perfectly, with excellent and artistic photography. All of the actors are great with their roles, the writing is decent, and the production uses the best out of its given settings, costumes, and props.

    This film has been so renowned and influential, you’ve probably seen it before without realizing it. This movie was effectively remade into The Magnificent Seven, swapping out feudal Japan with the wild west. Later, the story was re-adapted into Samurai 7, a type of fantasy/sci-fi anime version with robots and airships and all kinds of cool stuff. One episode of Firefly bore much in common with this film. Pixar adapted the story into A Bug’s Life. Heck, you could even argue that Marvel's Avengers used this same plot.  Ultimately, the original remains a perfectly-made classic. For its perfect marriage of entertainment, storytelling, and cinematography, it comes out on top as my personal favorite Asian film.
    Entertainment: Perfect | Story: Perfect | Film: Perfect | Resonance: Highest
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