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Thursday, 31 October 2013

Do Science for Halloween!

Posted on 22:23 by john mickal
I had no real plans for this Halloween season, but having returned to the US, I knew that I would likely be bombarded with a hoard of children all clad in a wild array of costumes.  So, I felt obliged to provide the necessary candy to satisfy their requirements.  I also wanted to set the right mood and atmosphere, so that for those brief seconds in which my door is wide open and the visitors can see inside my living room, they'll behold something weird and freaky.

The Costume
I decided that the easiest thing was to set up a type of mad science motif for myself, because I had plenty of stuff around the house that I could easily slap together to produce the correct effect.  It was also an easy thing to dress up in; as it turns out, lab coats can be easily purchased from Amazon for all of seven bucks.  I purchased it a size less than usual, because reviewers indicated that they make these a bit large.  A medium-sized lab coat fit me just right, and it's a very quick and easy thing to throw on for parties or events of any kind.  To further complete the ensemble, I also put on a pin (it's an Eye of Sauron symbol from the Lord of the Rings movies, but it looks like it could be any kind of evil-looking thing), and a lanyard from work with a nondescript card hanging off of it.  I also had a pair of safety goggles hanging around my neck.  Combined with a Cyberdyne Systems tee-shirt, it all gave the appearance that I was a lab dude from some evil corporation or something.

The TV Footage
As for decorating my room, I decided early on to make my TV into a centerpiece by using some science videos I had on hand (the Science is Fiction collection, comprised of numerous shorts made by a French filmmaker some decades ago; it's a supposedly influential series available from the Criterion Collection).  Such a video is not scary in itself, but I always felt it could be just by turning the sound off; you wind up with a random assortment of weird-looking sea creatures close-up, including micro views of urchins and octopi, looking like blown-up tentacles, with polyps, plankton, and other weird-looking things floating around.  Combine that with some of the scariest music imaginable, and the effect is appropriately eerie, otherworldly, and creepy.  So, I popped in the first disc, and played one of the short films in a constant loop, showing nothing but weird tendrils and pulsating life forms.

The Music
Getting music together is a pretty simple task.  Different music achieves different effects, but for the type of eerie ambiance I wanted, I primarily focused on music from the Silent Hill video games; Akira Yamaoka's score in the first two games presents a lot of weird, slow-moving industrial sounds, while games three and four have really strong beats and melodic guitars that produce a perfect Halloween-themed effect.  That's not all though:  I also populated my playlist with a lot of music by Trent Reznor, including tracks from Nine Inch Nails' albums, How to Destroy Angels' albums, and some of the soundtracks Reznor produced (including The Social Network and The Girl With the Dragon Tattoo).  I ignored all the really heavy songs, and focused entirely on the instrumental or ambient tracks (great picks would include tracks like "Help Me I Am In Hell," "At the Heart of It All," "Welcome Oblivion," "Parasite," "The Spaces In Between," various tracks from the Ghosts album, and more).  On top of all that, I also culled some tracks from other soundtracks (such as Renhoelder's music from the film Underworld), and various other bands (including Massive Attack, Kosheen, Uneven Structure, Celldweller, Moby, and more).  All of these tracks produce a mood that's very downbeat, perhaps even brooding, while the industrial or electronica aspects help match up with the mad science theme I was going for.  Above all, they produced the perfect atmosphere, for they all sound very creepy and strange.

Once I picked out the music I wanted, it was just a simple manner of dumping the songs onto a thumb drive, and playing them on a speaker.  I took the speakers in my living room, which are usually plugged into my TV, and plugged them into a boombox that could play from a thumbdrive, so the music ran separately from whatever was playing on the TV.  So while the sciencey videos ran nonstop, I let the player run on shuffle mode.

The Lighting
It was my plan to keep my room dark the whole time, allowing only the TV to produce the necessary light.  But, I happened across some unique lights in the grocery store that I realized would have been perfect.  One was a red light bulb, which I screwed into the kitchen, so it would produce a scary red light out of the opening leading to the kitchen.  I also found a green light bulb, which I applied to a lamp I have in the bedroom and set on the floor; it wound up making my front window glow a brilliant, perhaps alien, green color.  Best of all though, I got a black light bulb, which I screwed into a free-standing lamp I have and aimed at the living room.  At the right angle, it would make every white thing in the room glow in weird ways.  Aiming it close to the front door, it would also make my lab coat glow really weirdly too.  It's perfect for making normal things (such as rugs, pictures, papers, clothing, or quilts) look really abnormal.

To further reinforce the mad science look, I also procured a LED disc that makes an electric, static-like pattern across its surface.  It can do this constantly, or react to sound (it is pretty awesome to play music and have the thing match the beat of whatever is playing).  For the purpose of the evening, I just left it on constantly and let it give off a freaky green glow in the corner of the room.
I remember the Borg had a bunch of these in Star Trek: First Contact.

The Stuff
To further transform my living room into a weird little mini-science-lab of some kind, I did some quick re-arranging of the furniture, so that the coffee table would be the most prominent thing.  On the coffee table, I laid down some newspaper and slapped some random things on it.  First of all, I had a rather deformed pumpkin.  I initially carved it several days ago with a lot of crop circle style patterns, in an attempt to make it look extraterrestrial.  Unfortunately, the pumpkin lost its structural stability, and started to slump inwards.  However, I decided it still looked appropriate as a weird and deformed lump of pumpkin mass.  I even lit a candle inside, so it would still produce a cool orange glow in unusual patterns.

Next, I took some bottles and jars I had.  Many of them are antiques, such as pharmacist or poison bottles, which already look science-y.  I filled some of them up with random liquids, such as milk, orange juice,  cranberry juice, or just plain water.  For the larger jars, I took some old leftovers I had and put them in; mixed seafood and split pea soup can look really gnarly inside a jar.

Additionally, I found a small misting device at the grocery store.  I set it inside a bowl of water, and it produced a fine layer of low-lying mist all over the table, with multicolored lights.

From thinkgeek.com, I was able to get a set of shot glasses that look like scientific beakers.  They're small, but they have the right shape and all the markings to make them look like real scientific equipment.  I filled those up with cranberry juice, and drank from them on occasion to give the illusion that I was working on serums or something.

I had a ceramic skull on one of my shelves, which I moved to the table.  Its top could open up to serve as an ash tray, but today, I left it open and filled it up with salsa, making it look like some bloody or pulpy material.  It looked effectively wicked.

Lastly, I populated the rest of the room with some random embellishments to further make it look like I was working on some odd science experiment.  I laid out some random books I had (such as a book about aliens, a book on web design, and that Simulation and Simulacra book), and a few papers on one of my chairs.  I had an old mattress cover that I needed to discard, but since I had the black light going, I decided to drape it over one of my chairs, so that the light would reflect off of it and look even more weird.
Can I blind you with science?

The Experiment
So, when the time came and the trick-r-treaters came around, I could greet them in my lab coat, saying things like "oh good, the new test subjects are here," or "these just came from the lab," or "you're going to take part in an experiment," or something like that.

The feedback from visitors has been pretty positive; one kid said I was a good actor (to which I said, "what? I'm not acting."), and plenty found the science videos in the background to be weird.  They were all pretty intrigued by the random stuff I had on the table (some of the older kids said "that's sweet!" or "cool!").  I think they were also pretty impressed by the costume I had, even though it was pretty simple.

So, for a few short hours, I was able to illicit a few laughs and a few chills from some simple re-arrangements, a few new lights, and one cheap garment.  Best of all, I could use these things I got this year over and over again in the next years as necessary.  In fact, I wonder if I can get a fly-head mask and a fly arm, so I can be like the scientist from the 1958 film The Fly.  I already have the lab coat, so why not?

So, if you're in need of a quick costume or a way to make your area look freaky, going the mad science route is a pretty easy, effective, and fun way to freak out some people during Halloween!

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Posted in Halloween, journal | No comments

Monday, 28 October 2013

Film: Al's Top 100 Horror Films Part 5

Posted on 19:16 by john mickal
Part 1
Part 2
Part 3
Part 4

20:  Christine

Fear of: cars.

Ghosts and demons have possessed people and houses, but what about cars? Why wouldn't a car be haunted? What's to stop it from running people over all on its own? I've always loved this wicked premise of Christine, so named after the titular car, which develops an unhealthy relationship with its owner and goes on a revenge killing spree. The film touches a particularly interesting nerve in teenage culture, where boys already have a deep affection for their automobiles; this film just takes it a step further. John Carpenter directs Stephen King's story pretty faithfully despite many departures from the book; it looks great and has an impeccable cast.

My score: 5/5
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19:  Psycho

Fear of: psychotic hotel managers.

This is it: the one film that tried so hard to push the envelope and be purosefully infamous, it succeeded and became a classic! Hithcock doesn't hold back on anything; this film is loaded with sauciness and scandal, bloodshed and murder, and by God, it even shows a toilet on screen! The famous shower murder scene is perfectly composed, but the rest of the film does its best to be freaky and terrifying. At the center of it all, Norman Bates emerges as one of the most terrifying screen villains of them all, and the man is genuinely scary.

My score: 5/5
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18:  The Evil Dead

Fear of: deadites. And the trees...definitely fear the trees...

This is as simple and plain of a film as a horror film can be: it's just about a group of people stuck in a cabin in the woods, who unwittingly unleash terror on themselves. The film does get really bloody and intense though, as the dead rise up and even the trees around the cabin turn on the kids. The film is appropriately creepy and oppressive, and the finale has an incredible amount of gore to it. It's short and simple, but quite effective.

My score: 4/5
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17:  Thirst (Bakjwi)

Fear of: a priest who becomes a vampire.

Whoa, a priest who has to drink human blood? How does that work? In this Korean thriller, we watch the wicked story of such a man learning to live with his thirst. There is plenty of blood spilling that ensues. Throughout, however, the film's premise remains truly intriguing and challenging, and it has a heck of a flair to go with it.

My score: 4.5/5
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16:  The Cell

Fear of: a serial killer's mind.

There are plenty of films out there that have serial killers as a villain, but how many really dive into the mind of one? The Cell is one freaky movie that literally dives into the subconscious of a killer, using Inception-style sci-fi to paint visually extravagant worlds around the characters as they explore the depths of a sick mind. It's a weird world with artsy lavish embellishments juxtapose to grunge and filth, and it makes for an experience that's as thrilling as it is visually magnificent.

My score: 4.5/5
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15:  Triangle

Fear of: ummmm...

What a weird film. What the frakk is going on? I don't even know.

Triangle is one bizarre mystery, featuring a character who travels out to sea, and winds up on a derelict ship where somebody's systematically killing people. What makes the film trippy, however, is that there's a big time-traveling twist that occurs, which challenges the audiences' notion of what's really going on, and ultimately comes in full circle. It can be really hard to understand or interpret Triangle, but in addition to presenting a mind-bending puzzlebox of a film, it does fundamentally provide enough grungy thrills and kills to satiate horror fans.

My score: 4.5/5
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14:  The Ring

Fear of: TV.

Based on the Japanese film Ringu, The Ring takes the original premise and adds on a rather intriguing and creepy mystery. The imagery of The Ring is very stylish and gorgeous, but not without a sense of being ominous and freaky. Bloodshed and deaths are kept to a minimum, but the film does dish out enough to emphasize the threat, and it layers on all kinds of supernatural occurrences that defy natural explanation. I remember a lot of folks were frightened by this film when it came out; I personally wasn't. But I can't deny that the film does touch upon the scary notion that what's in your TV could crawl out some day and get you!

My score: 5/5
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13:  In the Mouth of Madness

Fear of: some guy's books will usher in the end of the world!

This always seemed like a lesser-known, possibly underrated, film in John Carpenter's repertoire. While the plot isn't exactly all that sensical, it does its best to emulate the terror of HP Lovecraft to the big screen, complete with a whole hoard of gnarled, otherworldly monsters. The mystery is intriguing, and full of odd occurrences. It makes for a decently thrilling experience, full of vivid imagery. I've always been fond of Sam Niell's performance, and Carpenter's own theme song is really rockin'!

My score: 4.5/5
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12:  The Descent

Fear of: spelunking.

This film descends into a perfect setting for a horror picture; caves have a lot of potential with their dark, cramped, claustrophobic walls. This film also tosses in an entire race of cave-dwelling monsters, which indiscriminately starts to kill off the cave explorers in the film. The film's last act becomes a massive bloodbath, with the survivors desperately massacring these monsters with their rock-climbing axes. The film is enthralling as it is, but it pulls out a pretty awesome twist at the end that really makes the story and characters more thoughtful and endearing.

My score: 4/5
--------------------
11:  Alien

Fear of: the xenomorph.

Alien is as simple as it can be: it's just about a starship picking up an alien creature, which goes on to wreak some havoc. But like all essential horror classics, it's the execution of simple material that counts. In Alien, the actual alien creature is one of the freakiest and most otherworldly monsters ever conceived (designed by HR Giger, scariest artist ever). It's not just the looks of it either; as menacing as it is to see this thing's saliva-soaked teeth and spine-covered body, its birth is probably the gnarliest thing, as the baby alien chews its way out of a guy's chest. The film subtly gets under the audiences' skin, with its focus on the settings, which are purposefully made to blur the lines between biological and mechanical, and are so full of detail that it's an awesome sight to behold. Above all, there's probably nothing freakier than imagining interspecies molestation, as a facehugger crams some egg-laying tube down your throat.

My score: 4/5
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10:  Silent Hill

Fear of: some town called Silent Hill.

I only recently managed to play the video game, Silent Hill 2. I could barely bring myself to do it. It is by far one of THE scariest game I've encountered; not because it's bloody or anything, but because the atmosphere is incredible. It's a world shrouded in fog, filth, and darkness, where monsters could emerge at any time. Before seeing the game, however, I've been more familiar with this film. The film can get pretty convoluted with the story, but it is one freaky experience. There is action and a lot of visual effects wizardry, but if the film does anything great, it's in capturing the right atmosphere. It is a creepy film drenched in fog, ash, rust, and dirt, with all manner of inhumane monsters crawling across the screen. I've always been freaked out by the pyramid-head monster. By the film's end, however, human monsters are revealed, in a manner not too different from Stephen King's The Mist. The finale is a brutal bloodbath of terrifying vengeance; even though the film leaves off at an odd place, the experience overall has always been creepy and satisfying. In spite of all its flaws though, the Silent Hill film is probably my biggest guilty pleasure horror film of them all.

My score: 4/5
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9:  Bram Stoker's Dracula

Fear of: the son of the dragon.

Although Bella Lugosi may forever be associated as the most iconic and definitive version of Dracula (don't know why, the man's corny as hell), this version of Bram Stoker's Dracula remains the best and most faithful adaptation of the original story. Despite some liberties taken with the source material (mostly involving a tacked-on romance between Mina and Dracula), the movie carries the same sense of terror and adventure the book had, and it goes through most of the same plot points. The movie doesn't hold back on the bloodshed or the sexuality, thoroughly capturing the dark and primal allure of vampires. Above all, Gary Oldman plays a decent, emotionally-nuanced version of Dracula, and the story overall does a great job of portraying a man who denounces God and decays into a wicked creature.

My score: 5/5
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8: Let the Right One In (LƄt den RƤtte Komma In)

Fear of: androgynous vampires.

You may be more familiar with the Americanized remake, Let Me In, which tells the same story but in a different setting and different manner. I personally prefer this original Swedish film instead: it is a mesmerizing and brooding film, with a very cold and slick style, and perfect performances by the cast. It tells the touching story of a boy and his vampiric friend, who eventually becomes something like an avatar of vengeance against everybody bullying this kid. The film gets freaky as it shows how Eli finds the blood needed to sustain herself. The film also carries some freaky subtexts regarding incest and sexuality (although I've heard that the original book is more explicit). What I've always found most freaky, however, is the final scene in the pool: when you see what happens in the background, it's pretty darn awe-inspiring.

My score: 4.5/5
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7:  The Omen (1976)

Fear of: the antichrist.

The Omen is perhaps infamous for many things: firstly, for its freaky deaths shown on-screen, which suggest that there are indeed forces at work beyond our own comprehension. Secondly, there were a lot of tragic deaths and accidents behind the scenes, suggesting that there really are invisible forces in this world beyond our own comprehension. That is because the film focuses on uncovering the universal truth behind the potential birth and rise of the antichrist. The film is appropriately ominous, thanks not only to its freak accident scenes, but also because it subtly hints at the coming of the apocalypse. Despite being a rather slow-moving film, it is a heck of a story well worth seeing.

My score: 4.5/5
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6:  The Exorcist

Fear of: demonic possession.

Here it is, a film so scary and intense that, back in 1973, it sent audiences literally running and screaming up and down the aisles. It does get really freaky when the demon appears on-screen, always spouting vulgar words and vomit from its mouth. I have to admit too that, every time that demon came on-screen, I felt dread in the pit of my stomach, because I didn't know what freaky thing would happen next. This is by far the only film that's made me feel that way, for it is most effective. The movie takes on a pretty slow pacing, but it is a heck of a decent story, which conveys very strong themes of faith by its end.

My score: 4/5
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5: Silence of the Lambs

Fear of: cannibals and dudes wanting to rip the flesh off of you.

Closely adapted from Thomas Harris' novel, this film is perhaps most memorable for Anthony Hopkin's portrayal of Hannibal Lecter. The man is wise, civil, educated, but he partakes in eating human flesh, and Hopkins' performance perfectly captures the chilling menace and mannerisms of that character. But that's not the main villain of Silence of the Lambs: the main bad guy is a freaky nutjob named Buffalo Bill, whose fanatic obsession with metamorphosis drives him to kidnap and skin his victims to make a suit of human flesh. And in the middle of it all, Jodi Foster gives the performance of her career as the FBI agents trying to figure it all out, using one monster to catch another. It's a very dark and gritty-looking film. It's light on the blood and gore, but still eerily disturbing. It is also a stylishly intimate film that boldly explores the savage depths of human brutality.

My score: 5/5
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4: Antichrist
Fear of: scissors.

Antichrist: don't worry, it's not really about the antichrist per se. Why is this film even called "antichrist"? The frakk if I know. This film doesn't really have much of a story to tell or much logic behind what happens and what it all really means. However, it is one heck of a freaky experience. The film contains some of the most darkly beautiful scenes I've ever seen, and that alone makes it hugely redeemable. It goes off on some crazy tangents, including some extremely hard-to-watch scenes of violence and genital mutilation. It does offer a lot to think about though, challenging the overall relationships between men and women, and between men and God. A lot of people have written this film off as pretentious nonsense and trashy filmmaking (and, perhaps, a little too misogynistic), but I personally value the experience of this film, for it has some very potent imagery and it presents a lot to contemplate.

My score: 5/5
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3:  The Mist

Fear of: there's something in the mist...

The Mist is a pretty simple film, borrowing perhaps a little bit of the classic horror-movie formula established in Night of the Living Dead. Only instead of zombies invading a house, it's a mist rolling over a grocery store. And within the mist, something strange and otherworldly makes a dreadful appearance.

The movie follows Stephen King's novella pretty well, and adds a little more to the mix to make for a truly terrifying experience. The monsters in the mist are very Lovecraftian, lacking in any terrestrial shape or form, and ripping apart human bodies in particularly painful-looking ways. But what really makes The Mist freaky is not the monsters outside the store, but surprisingly, it's the monsters within. Mrs. Carmody comes out as the film's true antagonist, as she forms a mini-doomsday cult and manipulates everybody's desperation to feed the monsters, both outside the store and within her own wicked soul. Thus, humanity becomes the most terrifying aspect of the film, and it persists all the way to the wicked ending.

And yes, there is the infamous ending, which turns this film into one of the ultimate love-it-or-hate it affairs ever. It is a bitter and horrific ending, which perhaps strains any sense of logic, but the irony of it really propels it into a level of brilliance that makes the entire film a truly deep and invoking experience. Whether you love or hate the ending, the film overall is worth seeing for the overall themes and experience, for it is intense.
My score: 5/5
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2: The Thing (1982)
Fear of: an extraterrestrial that can take on the form of anybody.

There's nothing much new about aliens impersonating human life: such terrors have been explored thoroughly in many versions of Invasion of the Body Snatchers, and even in the ongoing saga of Battlestar Galactica. One of the first and most original ideas, however, was The Thing From Another World, effectively remade by John Carpenter into this film - simply, The Thing. Once again, it's all about an alien creature that destroys human life and imitates it; same old story, but the execution of it is among the freakiest and most tense experiences ever filmed.

Set in the isolated and barren landscapes of Antarctica, the film immediately sets a brooding pace and creepy tone that remains consistent throughout. It is especially tense when the characters spend their time pondering where the alien creature is, and whether or not they can trust each other. At times, this sends everybody at each other's throats. The threat of the situation, however, is strongly reinforced when the actual thing appears on-screen. In a few well-staged scenes, the thing emerges, literally exploding out of flesh and bone, in a bloody mass of withering tentacles and contorted muscle. The stuff that happens in these scenes are just insane, and it makes for one hell of a freaky experience.

It's hard to forget about the thing, as it mutilates dogs, turns one man's head into a spider-like critter, and goes on to chew on another guy's head. At the same time, the characters can't forget about the thing either, and it systematically drives them all mad and desperate. The desperation becomes palpable, and makes for one truly creepy experience for the audience.
My score: 4.5/5
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1:  The Shining

Fear of: could it be ghosts, or could it just be no beer and no TV makes Jack crazy?

Of all the horror films I've seen, there's still nothing like The Shining. Stephen King's original novel was quite freaky and ominous as it is; Stanley Kubrick's adaptation is pretty liberal, ditching a lot of the ghosts and supernatural horror, but his focus on psychological horror is part of what makes it so creepy.

The film creeps along at a methodically steady pace, hitting a stride that's hypnotic. With its audience entranced, the film then delivers some of the most startling and ominous imagery possible: it's hard to forget about the slow-motion elevator full of blood, the image of the axe-murdered twins, or the woman in the bath tub. Even the general location - the Overlook Hotel - is an oppressive sight, so isolated and bleak, ultimately becoming surrounded by impassible snow. The camera captures the perfect sense of creepiness as it steadily passes through the halls and reveals every horrific detail that it can.

At the center of it all, it's a movie about Jack Torrence gradually losing his mind and becoming an axe-murderer, just like the caretaker before him. Even though Jack Nicholson's performance gets extremely cheesy and laughable at times, there's still nothing creepier than to watch his expressions and mannerisms as he gradually becomes haggard, stressed, and insane. The film's finale, in which he becomes trapped in a hedge maze, is perhaps the defining climax of the whole thing, as if the maze itself is the maze of his own mind, and he literally becomes frozen in its primal core. In those last moments, Jack starts screaming incoherently and animalistically: it is a scene that probably gives me the most chills.

The Shining has captivated and frightened audiences for over thirty years, and remains a seminal horror classic for many great reasons. Its atmosphere is second-to-none, and the way it handles the psychological horror is perfect. The cast does their best, with smashing results. Stanley Kubrick never really believed in the supernatural, but his film does embody something that is perhaps the scariest fear of them all: the terror of human mind and what it's capable of.
My Score: 5/5

Additionally, the documentary Room 237 was recently produced to explore the odd discrepancies of the film and the bizarre theories on the film's actual meaning.  It has provided a very interesting analysis, which inspired me to look more into the film and develop my own analysis, which I've posted on this here blog.
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Posted in alien, film, film list, ghost, gothic, haunted house, horror, movie, movie list, occult, revenge, supernatural, thriller, top 100, vampires, zombie | No comments

Film: Al's Top 100 Horror Films Part 4

Posted on 05:00 by john mickal
Part 1
Part 2
Part 3


40:  Cronos
Fear of: robot spiders.

Guillermo Del Toro's debut film is a one-of-a-kind gothic fairy tale, centered around a cool spider-like machine that grants eternal life. It is an endearing story with endearing characters and plenty of endearing ideas. It's a bit small in scope and scale, especially compared to the director's later works, but that's one of the things that makes it all the more charming. I remember it being an excellent story.

My score: 4/5
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39:   Hellraiser

Fear of: Pinhead, tearing your soul apart!

Holy crap, this movie has some really gnarly and wicked blood and guts! Once the otherworldly puzzle-box gets solved, some really freaky extradimensional beings appear and mix things up in really twisted ways. At its core, the film explores some stark themes of sadomasochism.

My score: 4/5
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38:  A Serbian Film (Srpski Film)

Fear of: filmmakers.

This film is sick. It very purposefully crosses the line on certain issues, all to prove just how sick it really is to cross such lines; for most audiences, it's just too much, and I can't blame them. However, I've always felt this was a very good-looking picture, with great composition, solid performances, and a heck of a style. I've always been intrigued by the story. Above all, it does have some interesting themes worth exploring.  It is, however, a very harrowing and depressing picture that I would never wish upon anybody else.

My score: 4.5/5
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37:   The Devil's Backbone (El Espinazo del Diablo)

Fear of: ghost boy. Pay no attention to the unexploded ordinance in the courtyard.

One of Guillermo Del Toro's earlier and more touching pieces of work, this film focuses on boys in an orphanage, and a ghost with ominous warnings. The plot unfolds beautifully, with a great cast of characters and superb filming. Throughout, it maintains a dark and creepy tone, and it remains one of my favorite ghost stories.

My score: 5/5
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36:  The Wicker Man (1973)

Fear of: cultists.

There is something inherently freaky about cults. Perhaps because they're entire groups of people that are inhumanely conditioned to act and think a certain way. In The Wicker Man, the main character comes across a freaky isolated cult that revels in pagan worship, of which he becomes the centerpiece of their rituals. The film is consistently suspenseful and creepy, but reaches an appropriately somber climax.

My score: 4/5
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35:  Misery

Fear of: your biggest fan.

Another fine adaptation from Stephen King's novels, Misery is one unique story that doesn't rely on any outlandish supernatural terror or excessive blood and guts. It's just about a writer trapped in a house with an obsessive fan. Kathy Bates delivers one seriously creepy performance, exuding a stark split personality that's halfway motherly and halfway psychotically fanatical. These strong performances, a few well-placed scenes of pain, and a cold isolated locale makes the film very successfully tense and chilling.

My score: 4/5
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34:  Martyrs

Fear of: extremely mean people.

Martyrs is one of the hardest movies to take. Its whole point is to bring as much pain as possible to the main characters, because the more pain they endure, the closer they become to God. I personally like this premise far more than most other torture movies, which use the torture as a mere excuse for shallow shock value; here, it's part of the narrative, and it points to some interesting and profound themes regarding human existence. It's a very painful-looking picture, and it's as dark as they come. If you can handle it though, it is well worth seeing.

My score: 4/5
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33:  [REC]

Fear of: an apartment building filled with zombies.

Chances are that you may recognize the Americanized version of this film - Quarantine - which was shot-by-shot the exact same. [REC], however, is at its freshest and most original. Even though it gets really frantic with the camera work and a lot of characters yelling at each other, it maintains good tension and atmosphere as the camera follows the people around during a quarantine, followed by various zombie attacks. [REC] uses a lot of gimmicks to make itself look creditable and real, and it is really successful that way. I actually don't usually like these types of films, but [REC] is a rare exception, and it is a truly freaky experience.

My score: 4/5
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32:  [REC] 2:  Fear Revisited

Fear of: demonically-posessed zombies taking over an apartment.

[REC] is a heck of an experience as it is (remade in America as Quarantine, which is essentially the exact same movie, but swapped out the demonic stuff in favor of glorified rabies). It can be a little too jarring to watch with the erratic camera work, but its composition is top-notch. This sequel manages to continue the story with frightening results: I was seriously freaked out when the characters explored the building's attic spaces and beheld some strange and otherworldly phenomenon. This movie had some damn scary scenes, and if I found them scary, then you'd probably be freaked out too. The hand-held camera work is still dominant, making everything appear authentic and real (even though the camera does bounce around a lot). As good as the first film is, this second one is my favorite of the lot, for it genuinely did creep me out.

My score: 4/5
--------------------
31:  28 Weeks Later

Fear of: even more zombies!

28 Days Later has its moments, but I always enjoyed this sequel a grade more; it dispenses with the shakey camera work and tells a straightforward story. Even though it is the exact same type of story that's been told before, it is stylish, exciting, and pretty grisly. Both 28 Days and 28 Weeks Later stand as must-see zombie movies; I just happen to like this one most consistently.

My score: 4/5
--------------------
30:   The Fly (1986)

Fear of: Brundlefly.

It's easy to think of transporter beams on Star Trek terms, beaming matter all around very cleanly and usually without incident. The Fly presents the scary notion that teleporting matter could fuse things together accidentally. This remake of the classic 1958 film takes things even further to explore the horrifying transformation and decay of the human body after such an experiment. The film tells a tragic story with compelling characters, and a lot of gnarly effects. Even though the classic version is a good story in its own right, I think this remake captures the horror of the situation the best.

My score: 4.5/5
--------------------
29:  Creepshow 2

Fear of: wooden Indian statues, oil slicks, hitchhikers, and plants.

Even though this sequel to the first Creepshow is not particularly well-liked, I personally always enjoyed it as much as its predecessor. The film presents just a few stories, but they are good ones. There's the story of the wooden statue that comes to life and takes revenge for some murdered store owners. My favorite is the story of a bunch of teenagers stuck on a raft, with a gnarly water creature waiting in the water to eat them. The last is a about a hitchhiker that just won't die. In between, there are some funky animated segments which tell the story of a kid getting bullied, and then getting revenge. It's still one fun thrill ride, and I think it's a decent follow-up to the first film.

My score: 4.5/5
--------------------
28:  Creepshow

Fear of: zombies, grass, the ocean, bugs, a crate monster, and voodoo dolls.

Stephen King and George A. Romero joined forces to deliver Creepshow, an anthology of five creepy stories. The first involves a dead dude rising up to claim his Father's Day cake. My favorite has always been the second story, starring King himself, as a farmer becoming covered in alien grass. The third involves a guy buying his wife and her lover in the beach, where the tide comes in and they see how long they can hold their breath. The crate monster sequence is freaky as heck, and the story of Mr. Pratt with all the cockroaches is genuinely creepy. In between, a little boy also gets a hold of a voodoo doll and takes revenge against his father for taking away his comic books. All of these stories are a blast, told with a cool pulpy style, and featuring quite a broad cast.

My score: 4.5/5
--------------------
27:  Eden Lake

Fear of: I don't like the looks of those teenagers...

Eden Lake is by far the one movie that's ticked me off the most. I just couldn't stand to watch this poor couple constantly getting harassed and ultimately hurt by these stupid hoodlums. The film takes it to the Nth degree, and that makes it a very hard-hitting experience that underscores just how bad things can get when it comes to the youth in modern society. This film illustrates just how criminally sad things can be.

My score: 4/5
--------------------
26:  Insidious

Fear of: some ghost stalking a little boy.

Insidious is one of the most recent movies that genuinely frightened me. Although the film is often criticized for having a weak last act (complete with a guest appearance by Darth Maul...I mean, a demon that looks like Darth Maul), the film has a ton of freaky occurrences and imagery that hints at the terror of otherworldly forces. It is truly creepy to see ghostly handprints or images in photos and other stuff. It is pretty standard ghost-story fare, but the film makes the most of its potential and delivers some genuine scares.

My score: 4/5
--------------------
25:  The Re-Animator

Fear of: severed heads.

One of only a few films based on the works of HP Lovecraft, and this film is perhaps most famous for its onslaught of gnarly and crazy bloodshed. With the premise of a student bringing the dead back to life, the film dishes out everything from undead cats to an undead severed head that's extraordinarily horny, shortly followed by a whole hoard of naked zombies running around. It is one fast-moving film with loads of blood and guts, and some truly freaky scenes.

My score: 4.5/5
--------------------
24:  Sleepy Hollow

Fear of: the headless horseman.

The legend of Sleepy Hollow makes for a fine and dandy Disney film and a seminal folk tale, but in Tim Burton's hands, it is a devilishly awesome adventure flick for Halloween. It gets pretty gnarly, with its images of the headless horseman slicing and dicing his victims, with bleeding trees and foggy forests, and with elements of witchcraft thrown in the mix. The film has a decent story, a strong cast of characters, and a great sense of fun. It is a refreshingly bold re-imagining of the classic legend.

My score: 5/5
--------------------
23:  Event Horizon

Fear of: the ship is alive!

Event Horizon is one scary place. The titular spacecraft is as oppressive-looking as they come, with its dark industrial walls studded in metal spikes, a catwalk cutting across something that looks like a giant meat grinder, and with blood and gore hanging off the walls. It's as if Paul WS Anderson took some inspiration out of the Doom and Quake video games and made his own hellish horror show out of this film (and chances are that's probably the case). The story and characters aren't too terrible, the atmosphere is genuinely creepy, and the overall concept did freak me out when I first saw it. It still is one of the best space-themed horror movies I know of.

My score: 4/5
--------------------
22:  House on Haunted Hill (1999)

Fear of: crazy ghosts!

Even though this film is not very well-received critically, it has been a favorite of mine for a long time. In this version of House on Haunted Hill, the ghosts are genuinely threatening, thanks to the wicked deaths and the onslaught of visceral imagery that portrays them as truly inhumane spirits. The story takes a bunch of unlikely turns, the ending does pump out a bunch of special effects that haven't held up well, but it is still one fun thrill ride, with plenty of freakiness to satisfy.

My score: 4/5
--------------------
21:  Dawn of the Dead (1978)

Fear of: mall zombies.

After surviving the Night of the Living Dead, there comes the Dawn of the Dead, a semi-post-apocalyptic vision where the zombies are everywhere now, and a small band of military dudes hole themselves up in a mall infested with these flesh-eating grubs. The movie has its share of blood and gore, which is wicked, but this is also the most classic example of how terrifying classic zombies can be; yeah, they move slow, but in one massive hoard they can overwhelm you and rip your guts out if you make even the slightest lapse in judgement. Above all, the film dips into some amusing satire, showing zombies shuffling around the mall; seriously, aren't all malls like this anyway?

My score: 4/5
--------------------
To be concluded...
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john mickal
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